Keith Getty Condemns the "Modern Worship Movement"

Keith Getty

In a recent interview with The Christian Post, Keith Getty gave a strong warning about the “modern worship movement.” He called it “a movement for cultural relevance,” “a de-christianizing of God’s people,” and “utterly dangerous.” He said, “This idea that Christianity is cool or easy is not biblical. It’s a misnomer for our generation. An authentic generation doesn’t begin with catharsis; it has to begin with an authentic picture of the God of the Bible” (“Keith Getty: Modern worship mov’t is ‘utterly dangerous,’” The Christian Post, Nov. 9, 2019). We agree with this 100%, as far as it goes, but it is an ineffectual warning.
It is ineffectual, for one thing, because it is spoken in generalities. Is Keith Getty talking about Bethel Church? Calvary Chapel? Casting Crowns? Steven Curtis Chapman? Christ for the Nations? Delirious? Kirk Franklin? Gateway Worship? Hillsong? Hosanna? Integrity? International House of Prayer? Maranatha? MercyMe? Newsboys? Michael W. Smith? Vineyard? Worship Central? The answer is, No one knows. In typical New Evangelical fashion, Getty’s strong-sounding warning is too vague to be effective. But then, to sound clear warnings would narrow a big tent ministry.
Keith Getty’s warning is also ineffectual because of his radical ecumenism. He says this generation needs “an authentic picture of the God of the Bible,” but how does his friend Matt Maher give such a picture by believing in transubstantiation and praying to Mary the Queen of Heaven? How does Getty’s oft-quoted hero C.S. Lewis give such a picture by his rejection of Christ’s substitutionary atonement and eternal judgment? This list could be expanded greatly.
​Keith Getty’s warning is also ineffectual because of his eclectic, “use any music you please,” approach to music. He says, “Part of our campaign is to get our generation to know the great hymns of the faith.” That sounds commendable, but the Gettys have jazzed up the great hymns with a modern sound that doesn’t match the message of the words. Their concerts, even their Christmas concerts, such as Sing! An Irish Christmas, are out-and-out rock & roll fests with a pounding back beat and Irish dance music. It is sensual entertainment. It is highly emotional, but not holy. What do darkened auditoriums and floodlights and stage musicians and female worship leaders and big screen monitors and Christmas trees and Irish dancers and pounding drums have to do with the worship of a thrice holy God? I can’t imagine David putting on such a performance at the Tabernacle or Solomon at the First Temple or Nehemiah at the Second Temple or Paul at the church at Ephesus.

(Friday Church News Notes, November 29, 2019, www.wayoflife.org [email protected], 866-295-4143)

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